Showing posts with label The Tragically Hip. Show all posts
Showing posts with label The Tragically Hip. Show all posts

The Tragically Hip - Vancouver Fantasy Setlists

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The Tragically Hip are due to play 3 shows in September at Vancouver's Orpheum Theatre. These shows are, in essence, Vancouver's stop on the 'Now For Plan A' tour. This was a tour that saw Canada's 3rd largest metropolis shut out of the large scale arena shows that his many other places for whatever reason. The thing is that Vancouver fans many end up getting the last laugh.

Instead of an arena rock show, Tragically Hip fans here will be treated to a three night run in an intimate setting a la the 'We Are The Same' tour of 2009. But will their setlist creativity take us back in time? Or will Vancouverites who shelled out big time be spoon fed the same meal night after night after night. This is the question.

For me, a fan since back in the day and a fan of never doing the same thing twice, the past few years have been kind of heartbreaking with this band. Everything that the 2009 WATS tour was the 2012/13 NFPA tour isn't. I thought 2009 was a high water mark moment for the band. I mark 1991 & 1995 as the other two that stand out to me. Lots of other great eras as well, but those stand out to me.

I feel like these were also the times when the band took the most risks, or a lot of risks anyway. In 1991 their sound was evolving from heavy blues rock to something more free and opening up to spaces that would eventually allow the band to take off in many directions instead of staying firmly within a genre. By 1995 the band was a cohesive musical force. One member played of another. Songs went to places that they hadn't ever before. You could actually see a new version of an old song made up right there on the spot. The jamming, both heavy and soft and especially during the stories and the rants was really something to behold. Different songs could appear within NOIS. The setlist didn't have to instruct the band to insert a Nautical. 2009 saw The Hip touring with keys, adding some great songs to the live repitoire and owning more of the night - meaning playing two sets plus an encore. They carried a lot of songs around with them that tour and played them all quite well. The acoustic portion was used to resurrect song that had been put down, to rearrange popular songs such as Courage & My Music At Work and to show a song live for the first time ever (The Bear).




And then 2011 > 2012 > 2013.... WTF happened? Does anybody know? Where did my favourite band go? How do you create an opus like The Depression Suite and then just drop it from the live act? Poof! Gone. These last few years have made me want to go to the depression suite. I haven't even bothered to download live shows from this era.

It's not that I'm some kind of old-timer just clamoring for the old hits. You can kill off most of the "hits" for all I care... or spread them out at least. There were about 6 songs off of the new album that basically never saw the light of day. I don't need Bobcaygeon everyday. I also don't need World Container or Pretend everyday, but I need them some days. Bobcaygeon is so much cooler when you don't know it's coming and maybe you've seen your last few shows without catching it and then FINALLY you hit it again!... and it's a great moment.

When does a band become a charicature of itself? I think it when it stops taking chances and rests on its laurels. I'm not insinuating that The Hip have hit this point yet. They are on the path. Aerosmith has hit this point if you're looking for an example.

And what's up with Gord? He's never been worse. Ever. Take a breath. We're just talking here. But really, what's up? Teleprompter when the setlist is exactly the same every night. The screaming not singing and doing so in such a way that the crowd let alone his bandmates can reasonably lend support with harmonies that somewhat resemble the original song. No more state of consciousness rants, chants, poems, etc.

Is he sick? Forgetful? Doesn't seem that way when he gives interviews. He's aged more than the rest of the guys, it seems to me anyway. I don't know.

So... Vancouver. Here's the situation. We have a 2009 set-up, but the 2013 band. What's going to happen? Is the guy who payed $120+/night for all three nights going to get basically the same show each night or is he going to come away having seen no repeats at all and maybe 70+ different Hip songs performed live and feeling like it was totally worth it? You see, there was a time when I wouldn't have missed something like this. Small venue. In Canada. Three night. Endless possibilities. Now I just feel like meh... I saw the band this past December in L.A. and was going to go back up for the Anaheim show. It ended up raining that day and I just said 'Fuck It'... Slippery roads, crazy drivers, L.A. Douche Bags... I knew what the band was going to play for the most part. 80% of the setlist was already known to me and I have just seen it. And SoCal ain't no Hip HotBed. Who knows if they'll ever be back? And it was raining. That's all it took.

The Hip have been doing 18 song sets with 5 or 6 song encores (so weird).... I want to publish people's 3 night fantasy setlists in this format. If you want the same show 3 nights in a row, fine. If you want it to be absurd (ex. Highway Girl), fine. If you want it to be somewhat realistic based on what they've played, great. Include your made up fantasy setlist for each of the 3 nights and include your name and any notes you may want to add.

Send all entries to mrjackstraw (at) gmail.com

Do not give that out to any Nigerian scammers please.

I'm going to do one of each type. I'll do a Vancouver run ultimate fantasy setlist for each night that includes song that have ZERO chance of being played and I will also do one that will have somewhat of a chance...






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Autographed Guitar Auction - Tragically Hip

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The Tragically Hip Autograph Guitar for Charity Auction

Original Article from Kingston Herald


This week only, an acoustic Yamaha guitar signed by members of Kingston’s The Tragically Hip is being auctioned off to raise money for the “War Child” organization.

The band played a series of shows over the Canada Day weekend, including a sold out fan club show at the Jackson Triggs Estate Winery, and massive festivals in Niagara-On-The-Lake (pictured) and at Burl’s Creek. During that run of shows, The Hip signed the guitar for War Child which is now open for bidding on eBay.

The Tragically Hip – often referred to as “The Hip” – was formed in Kingston in 1983 and features Gordon Downie on lead vocals and guitar, Rob Baker and Paul Langlois on guitar, Gord Sinclair on bass, and Johnny Fay on drums.

Since the group began creating music together, they have released 12 studio albums, 2 live albums, and 46 singles. The Hip have received numerous Canadian Music awards, including 14 Juno Awards. A new studio album is set to go on sale in the fall of 2012, and features the recently released single “At Transformation”.

War Child Canada was established in 1999 and is an internationally recognized, award-winning charity known for its outstanding global programming and global reach. It works with children in some of the most devastated regions of the world to reduce the effects of poverty, provide an education and to defend and promote child rights.








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National Post Hip Week: Borderline Success

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Here's the latest article from the National Post's 'Tragically Hip Week' series... I hate this subject. It makes no sense & it doesn't matter. The Hip play to the size of crowds in The States that thousands of band would give their left nut to be able to play to...


Borderline Success
Ben Kaplan - National Post

Is there any other band today that screams Canadiana so much as The Tragically Hip? The Kingston-brewed rockers kick off their summer touring season June 28, and to mark the occasion we’re spending this week in Arts & Life looking at all things Hip. Today: Ben Kaplan on why the band never cracked the U.S. market.

Robert Christgau began writing about music for Esquire in 1967. Thanks to his work in Playboy, Village Voice and Rolling Stone, the writer has earned his place among the most esteemed music critics in the world. In 2000, Christgau listened to Music @ Work by The Tragically Hip. He began his critique with two words: “Blame Canada.”

It’s a response not uncommon amongst American rock fans.

“We have pockets in the States where there’s great support, but there’s also an element of ‘every country supports their own,’ ” says The Tragically Hip’s guitarist Rob Baker, adding that the group can tour with an English act such as Stereophonics and swap headlining spots based on which side of the pond they perform.

Continue to full article HERE.



What about Bob?






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National Post Hip Week: Kings Of This Town

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Kings Of This Town
Source: Jesse Kinos-Goodin, National Post
Is there any other band today that screams Canadiana so much as The Tragically Hip? The Kingston-brewed rockers kick off their summer touring season June 28, and to mark the occasion we’re spending this week in Arts & Life looking at all things Hip. Today: Jesse Kinos-Goodin on how Kingston, Ont., embraces its hometown heroes.

When Gord Downie sings “12 men broke loose in ‘73, from Millhaven maximum security,” during a Kingston, Ont., performance, the hometown crowd loses its collective mind. After the initial yells, glowing cellphones and lighters normally fill the air as The Tragically 
Hip frontman continues to tell the fictional story of a jailbreak from a prison in Bath, the small town just outside Kingston where The Hip also have a recording studio.

Despite lyrics saying that “one of the dozen was a hometown shame,” 38 Years Old, from the 1989 album Up to Here, is still a local favourite, says Doug Elliot, who worked with the band countless times over the years when he was music director at Kingston’s K-Rock radio station. Elliot, who is now program director of Oshawa’s The Rock 94.9, calls the five-piece band, consisting of Downie, guitarists Paul Langlois and Rob Baker, bassist Gord Sinclair and drummer Johnny Fay, “part of the fabric” of Kingston, and while he means that figuratively, it could also be taken quite literally.

Continue to full article HERE.



38 Years Old - Digital Lyric Art






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The Hip to Play Calgary, AB - 2012/07/11

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I think we have something here people.... A solid line-up for a reasonable price... A ticket that gets you some food... No Beer Cage - Yes, you can walk freely around with your beer instead of having to be in a designated area and feeling the need to consume mass amounts in a short period just so you can get to that special place AND not miss anything... and finally, no Bullshit VIP section... Nice job by the folks at Stampede Roundup. Did I mention no minors? In Alberta that means 18+...





Stampede Roundup
The Tragically Hip
With Special Guests Matthew Good and 54-40
Wednesday, July 11, 2012
3:00pm - 10:00pm
Fort Calgary Historic Site
General Admission
Rain or Shine
$75.00 + Service Charge + GST = $80.85


All tickets include
- Performances by The Tragically Hip, Matthew Good and 54-40.
- Dinner (Beef-On-A-Bun (or Veggie Burger), Campfire beans, Coleslaw, Fruit Salad)
- Free bus transportation throughout the downtown core (2:30pm-10:30pm)

For event details, visit www.stampederoundup.com.
For further questions, please contact Stampede Roundup at 403-205-7448.

Fort Calgary



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Tragically, Signs Must Be Replaced...

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Turns out the city of Kingston forgot there was a 'The' in the band's title. Maybe they took the Grace, too lyric from Saturday Night Live literally, eh?  Anyway, if the city is smart they will take all the misprinted signs and put them up on E-Bay or have some sort of auction. Maybe split the proceeds between a charity and offsetting the costs of the fuck up.

They need some good PR in Kingston as this process has seemed to be a bureaucratic nightmare from where I'm sitting in Las Vegas and I'm sure it's even more-so from up close. Have a look at the reader comments on the original source page (link below) to see what I mean.

If these signs do become available to the general public in some way, I will get the word out to you...


Will these be for sale?


A"clerical error" means the city will likely have to take down and replace the street signs honoring The Tragically Hip, just a day after the signs went up outside the K-Rock Centre.

The Whig has learned that the city has decided to revise the bylaw that currently calls the portion of what was Barrack Street "Tragically Hip Way." The revision will add the word 'The' to the start of the street name, and, therefore, the sign.

Councillors Dorothy Hector and Jim Neill both confirmed that council will be revisiting the issue in a motion tabled by Hector.

The Tragically Hip's manager, Bernie Breen, confirmed via email that he did notify city staff of the omission of the word "the" after it was brought to his attention.

“The band's official name is The Tragically Hip, Breen wrote.

“(It) seems it was a small clerical error and obviously everyone wants to get it right."

City staff noted prior to the signs being made that they would have to have extra signs made, as there would undoubtedly be thefts of the signage. This means all the extra signs will prove useless should the revised bylaw be approved.

Source: Kingston Whig-Standard
Tori Stafford


Here's a more detailed article on the debacle: Missed It By Three Letters






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The Tragically Hip: Saturday Night Live

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The Tragically Hip
Saturday Night Live
Studio 8H
30 Rockefeller Plaza
New York, NY
1995/03/25


Have you watched Saturday Night Live lately? My wife loves it and as such I end up watching it with her. We don't usually catch it 'Live', but rather we will watch it from their website sometime during the week when we have the time. It's been so good lately - except for the musical acts... This current cast is very talented and they've been together for a while which helps. SNL has always went through highs & lows. They are definitely in a High right now. Comedy-wise anyway.

Musically, it's a different story. It's just a record promo these days. Or a singles promo, right? WTF was that Lana Del Rey performance from earlier this year? The next episode airs on April 7, 2012 and features 'One Direction'. Who? I know, I know. I had to look them up. On this legendary stage that has been home to such performers as Jimmy Cliff, Gordon Lightfoot, The Band, Brian Wilson, Santana, Paul Simon, Willie Nelson, The Rolling Stones, Grateful Dead, Bob Dylan, Talking Heads, James Taylor, Paul McCartney, Aretha Franklin, Prince, The Allman Brothers Band, Elton John, Queen, Tom Petty & The Heartbreakers, Stevie Wonder, Bryan Adams, Stevie Ray Vaughan, The Neville Brothers, George Clinton, Run-DMC, Roy Orbison, Sting, Elvis Costello, Little Feat, Neil Young, Billy Joel, Aerosmith, Eric Clapton, The Black Crowes, R.E.M., Public Enemy, Nirvana, Red Hot Chili Peppers, Garth Brooks, Pearl Jam, Bruce Springsteen, Morrissey, Snoop Doggy Dogg, Green Day, Beastie Boys, Bon Jovi, Dave Matthews Band, Rod Stewart, Foo Fighters, Blues Traveler, David Bowie, Tina Turner, Whitney Houston, Metallica, Sarah McLachlan, Mariah Carey, Luciano Pavarotti, The Roots, Eminem, Radiohead, U2, Phish, Justin Timberlake, Queen Latifah, Arcade Fire and of course The Tragically Hip.

'One Direction' has been around since 2010. Yep. I guess they have a new single out and need some good face-time with the public. Look, I know that The Hip weren't the biggest thing going in the US when they were featured and getting them on the show probably never would have happened without the influence of their friend Danny Aykroyd, but at least they had a track record before they got there. They were arguably the number 1 act in Canada despite going head-to-head with the likes of Rush, Bryan Adams, etc... They had put out 4 solid albums front to back. I know that The Hip deserved this honour much more than 'One Direction' & most of this year's line-up have. It really used to mean something to make it up there on that stage. Now it's Money for Nothin'...

So, let me take you back to March 25, 1995. I was so excited to see the boys on this great show. John Goodman was the host, but Dan Aykroyd was there and so too was George Wendt (Norm from Cheers). They reprised the "Da Bears' skit... The Hip performed Grace, too and Nautical Disaster off of their recently released album Day for Night. Gord had hair. I had hair.

This was the origin of the "Tragically Hip' lyric being inserted into Grace, too's opening line. Gord had his mind on giving he nephew a signal for his 11th birthday with 2 fingers and well, you can check it out for yourself...










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Lullaby Renditions of The Tragically Hip

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When do you know you've made it? When you get a star on the boulevard? When they name a street after you? Nope. It's when your songs get turned into children's lullabies.

Phantom Power or Rockabye Baby?

I first heard of these guys when I was browsing Amazon one day to find a Grateful Dead album that was not yet in my collection. It's kind of surprising that they chose to do The Hip. It's also pretty cool. There are numerous other bands available including The Beatles, Radiohead, Pink Floyd, Aerosmith, Tool, & coldplay to name but a few.

Here's the track listing:

  1. Ahead By A Century
  2. Courage
  3. New Orleans Is Sinking
  4. At the Hundredth Meridian
  5. Fifty Mission Cap
  6. Bobcaygeon
  7. Little Bones
  8. Poets
  9. Nautical Disaster
  10. Blow At High Dough
  11. Wheat Kings
  12. Grace, Too
Kinda looks like every setlist from this summer, eh?  Ha ha! JK, JK.

So, can kids have fun listening to The Hip? You tell me...






Rockabye Baby: Lullaby Renditions of The Tragically Hip
@ Amazon.com


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Family Band - David Battistella

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Here's a short film by David Battistella. I just learned of it while perusing the forums over at Hipbase. Enjoy.
In this short documentary about The Tragically Hip, director David Battistella uses a split-screen and acid-etched colours to distil the iconic Canadian band’s essence. After decades together, through hotels, highways, gigs and recording sessions, The Hip’s members have forged a powerful brotherhood. "These guys are my life partners, musically" says bass guitarist Gord Sinclair. The Hip's brand of straight-ahead rock and roll has catapulted the band to international stardom, and ensured them a place in Canadian musical history, but at heart, they remain a bunch of guys from Kingston, Ontario, making music together just for fun.

This film was produced for the 2008 Governor General's Performing Arts Award.





Direct link to the video on the National Film Board of Canada website.

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Seattle, WA - A Hip History

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I just returned from a trip this fine city in America's Pacific Northwest and I left quite impressed and looking forward to my next visit immensely.  I've recently moved to Las Vegas, NV after spending many years in Toronto, ON and I didn't realize how much I missed things like trees (especially evergreens), lakes and water and the quirky neighborhood culture that is developed over generations of an evolution of a city.  Las Vegas is a baby in that regard.  It has its other charms :)  I guess Seattle just reminded me a lot of Toronto....except their tower is much shorter.

The Needle
So I got to thinking about The Hip and their history with Seattle.  I went to The Hip's own database to gather some info.  The database itself has gaps like missing songs, setlists and I have to assume dates especially from the early years.  Luckily we are too affected with this research beyond the first 3 Seattle shows which have no sets listed and the 2000/11/01 show which has an unknown song in the 2nd set. There is also a show listed as Summer Nights at the Pier 62/63 but with no further information.  In total the database lists 14 Seattle shows. 


1993/09/23: No Set List, No Venue
-I'm just taking the database at its word. This show happened.

Under The Rail, Seattle, WA
1994/10/03
1994/10/04
-ditto

1996/07/28 Moore Theatre, Seattle, WA

Gift Shop
Grace, Too
700 Ft. Ceiling
Thugs
Springtime In Vienna
Locked In The Trunk Of A Car
Daredevil
Flamenco
At The Hundredth Meridian
So Hard Done By
Butts Wigglin
Titanic Terrarium
Ahead By A Century
Nautical Disaster
Put It Off
Fire In The Hole

Encore
Don't Wake Daddy

Notes:  This show was a part of the Trouble at the Henhouse tour.  What's unique is that none of the power trio of Blow at High Dough, NOIS or Little Bones is present in the setlist.  The Hip at this point were already a band with an extensive and powerful repertoire that didn't need the crutch of playing their greatest hits night after night.

Pike Place Market

1999/03/30  KMTT Radio, Seattle, WA

Poets
Bobcaygeon
Thompson Girl


1999/03/30 Paramount Theatre, Seattle, WA
Something On
Fully Completely
Grace, Too
Fireworks
Gift Shop
Springtime In Vienna
Poets
The Luxury
Courage (For Hugh Maclennan)
Ahead By A Century
Greasy Jungle
Bobcaygeon
Nautical Disaster
Escape Is At Hand For The Travellin' Man
At The Hundredth Meridian

Encore
Thompson Girl
So Hard Done By
New Orleans Is Sinking

Notes: Black out to Phantom Power...

Can you spot The Hip?

2000/11/01 Moore Theatre, Seattle, WA
Set I
Tiger The Lion
Courage (For Hugh Maclennan)
Don't Wake Daddy
Puttin' Down
Gift Shop
The Luxury
Fireworks
The Completists
Springtime In Vienna
Ahead By A Century
Sherpa
Nautical Disaster
My Music At Work

Set II
Wheat Kings
Train Overnight
Boots Or Hearts
Emperor Penguin
Blow At High Dough
Lake Fever
Daredevil
Poets
Unknown Song
At The Hundredth Meridian
Chagrin Falls
Stay
New Orleans Is Sinking
Fire In The Hole

Encore
Bobcaygeon
An Inch An Hour

The Classic Gargoyle Logo


Your Imagination's Having Puppies
More Seattle Photos Here


I'm in the Men's Room at The Feedback Lounge in Seattle and lo and behold I spot a couple of classic logos!


2000/11/02 Moore Theatre,  Seattle, WA
Set I
Grace, Too
My Music At Work
Escape Is At Hand For The Travellin' Man
Tiger The Lion
Fully Completely
Puttin' Down
Gift Shop
Titanic Terrarium
Greasy Jungle
Long Time Running
Fireworks
At The Hundredth Meridian
Something On

Set II
Scared
Wild Mountain Honey
Thompson Girl
Courage (For Hugh Maclennan)
Lake Fever
Save The Planet
Twist My Arm
Pigeon Camera
Flamenco
Inevitability Of Death
Freak Turbulence
Locked In The Trunk Of A Car
The Wherewithal

Encore
Ahead By A Century
Thugs
Little Bones

Notes:  This was a pretty neat little 2 night run at The Moore.  These shows were part of the "An Evening With" tour that included vocalist Kate Fenner and keyboardist Chris Brown.  The format was 2 sets with an encore, a format we recently and thankfully saw revived with the We Are the Same tour. This allowed for a wide range of song selection and setlist diversity offering up a real treat for fans lucky enough to see the band do a back-to-back run at one venue.  
I was both lucky and unlucky to be in Australia for this entire tour.  Didn't see a single show.  I had my mom mail me a cassette tape of Music@Work the day it came out.  That's right.  Cassette Tape.  For my Walkman.  Sorry for the digression...if you were lucky enough to be at this run you would have seen 59 individual songs performed with only 9 repeats from 2000/11/01 to 2000/11/02.  Not bad.  There is one Unknown Song in the 2000/11/01 setlist so that may or may not have been a repeat.

The Moore Theatre

Five of The Tragically Hip's Seattle shows have taken place at The Moore Theatre making it their primary indoor venue when playing the city.  The Moore is one of those classic old  theatres that can be found in most American cities.  It is very ornate and cozy inside, has multiple tiers and holds about 1500 people.  It celebrated its 100th birthday in 2007.

The Moore Theatre

From its Wikipedia page:
The upper balcony, although well-appointed for its day, was originally racially segregated from the rest of the theater hall. It once had separate entrances, and to this day has a separate staircase connecting it to just inside the front door.

Interesting fact considering its location in the Pacific Northwest. 


2002/08/24  The Pier, Seattle, WA
Use It Up
My Music At Work
New Orleans Is Sinking
Fully Completely
Are You Ready
Lake Fever
Silver Jet
Courage (For Hugh Maclennan)
Fireworks
It's A Good Life If You Don't Weaken
At The Hundredth Meridian
Springtime In Vienna
The Dark Canuck
Poets
The Dire Wolf
Gift Shop
Little Bones

Encore
Grace, Too
Wheat Kings
Blow At High Dough

Notes:  I caught this tour in Boston at the Sommerville Theatre.  Those were my first US theatre shows which I thought was really cool.  I mean you were close when you stood at the back of the room.  That's a big deal for us Canucks.

I like this particular setlist because it has both The Dire Wolf and The Dark Canuck in it.  I've been rocking these tunes in the car a lot lately.  Loud.  Mainly on my way to play poker at the MGM.  It's like my ring entrance music.  Anyway, I can't get enough of them.  I know there's other like me and it's OK to admit it.


2004/10/10 Showbox at the Market, Seattle, WA

Intro
Grace, Too
So Hard Done By
Train Overnight
Pigeon Camera
Escape Is At Hand For The Travellin' Man
Puttin' Down
Lake Fever
Nautical Disaster
Fireworks
Toronto #4
My Music At Work
Tiger The Lion
Gift Shop
Opiated
Scared
Ahead By A Century
Daredevil
An Inch An Hour

Encore
Poets
Inevitability Of Death

Notes: Opiated has only been performed 4 times since 2000/12/21.  While that in itself is a real shame for such a song, it makes catching one A Beautiful Thing.


2007/03/29 Moore Theatre, Seattle, WA
In View
New Orleans Is Sinking
The Drop-Off
It's A Good Life If You Don't Weaken
Family Band
Ahead By A Century
Yer Not The Ocean
Courage (For Hugh Maclennan)
World Container
Boots Or Hearts
Springtime In Vienna
At The Hundredth Meridian
Bobcaygeon
The Kids Don't Get It
Fully Completely
Scared
The Lonely End Of The Rink
Blow At High Dough

Encore
Luv (Sic)
Jumping Jack Flash (video below)
Little Bones





2007/07/11 Marymoor Park, Seattle, WA
Concerts at Marymoor
Yer Not The Ocean
My Music At Work
Grace, Too
Lake Fever
The Drop-Off
Bobcaygeon
Nautical Disaster
In View
The Dire Wolf
World Container
Fireworks
New Orleans Is Sinking
Ahead By A Century
The Kids Don't Get It
Fully Completely
Little Bones

Encore
Family Band
Membership
Fire In The Hole

Notes: Membership has not been played since this show.



Here's a video from the KMTT Studios on 2009/06/17.





2009/06/17 The Moore Theatre, Seattle, WA
Set I
The Depression Suite
In View
Gift Shop
Coffee Girl
Twist My Arm
Morning Moon
New Orleans Is Sinking
It's A Good Life If You Don't Weaken
The Exact Feeling
At The Hundredth Meridian
Love Is A First

Set II
Courage (For Hugh Maclennan)
The Rules
Wheat Kings
Nautical Disaster
The Last Recluse
Locked In The Trunk Of A Car
Gus: The Polar Bear From Central Park
Thugs
The Lonely End Of The Rink
Now The Struggle Has A Name
Fireworks
Little Bones

Encore
Frozen In My Tracks
Blow At High Dough




Unknown Date - Summer Nights at the Pier 62/63I can't figure this out...what tour, etc.  The IBE Tour was very short on US dates but that doesn't jive. 

Wow, we're actually missing over 25% of our data.  If anyone has any info, old bootlegs, etc that may fill some of these blanks in please let me know.

What a great city.  I was able to see Pike Place Market, the Aquarium, Alki Beach and a good bit of West Seattle which is where we were staying.  I was also able to have a beer down at 5 Point a very nice dive bar/diner.  There's still a lot of undiscovered territory for me to explore when I make my way back and since I now have family there it is as inevitable as death.  I look forward to catching a ball game there and to exploring the area in and around the UW campus.

If you're from Seattle, seen shows in Seattle or just feel that you have something to add go ahead and drop a line or two.

Cheers.

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Tragically Hip on Rockband

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 Kingston-based rock band The Tragically Hip sent out a tweet today to announce some exciting news to their fans:

“Now available for Rockband – Blow at High Dough” with a link to their Facebook post.

“Blow at High Dough” was the first single by The Tragically Hip from their premiere full-length album “Up to Here”, released in 1989. Many Canadians may also recognize it as the opening theme song for the CBC Television satirical TV comedy ‘Made in Canada’, which aired from 1998-2003 and starred comedian Rick Mercer.

Listen to a sample of the song – and XBox360 owners of Rock Band can order & download to play – at the Rock Band website.

Continue reading at the Kingston Herald...

Sam Roberts Interview with AVClub.com

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The Hip are talked about a lot in the interview. It's the whole Canadians trying to make it in America thing. I like what he has to say about those that think The Tragically Hip have not seen success down south.

Canadian rock fans living near the U.S. border might be tempted to take a road trip this week to see the Sam Roberts Band on its short tour through the upper Midwestern United States. Roberts has long since stopped playing small clubs in his home country, where he’s a big star who recently won Juno awards—basically the Canadian Grammy—for artist of the year and rock album of the year. But like a lot of popular Canadian acts, Roberts has struggled to make his name in the U.S. His latest release, Love At The End Of The World—the album that won the Juno—didn’t even come out here until almost a year after it topped the charts in Canada. Obviously there’s something us Americans don’t seem to get about Canadian rock stars. Before his show Tuesday, Nov. 24 at 7th Street Entry, The A.V. Club asked Roberts for a crash course in all the Canadian bands that we’ve missed out on.


Read the Q&A here.

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Tragically Hip @ The Bathouse

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Alex Lifeson w/The Hip

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I grabbed this off YouTube from HERE. Sign up for their channel if you like what you see.

-mrjackstraw

Coming Clean at the Bathhouse

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Taken from www.myspace.com/thetragicallyhip

Recorded in 2008’s year of continental excess and governmental Spending Gone Wild, The Tragically Hip’s latest album, We Are the Same, brings its listeners something beyond the unexpected: actual hope. Gord Downie’s lyrics—backed by a band ripe with confidence and skill—tackle what we might assume had passed far under the bridge. Should a first listen be given to a person recently hatched from a time capsule, or a pod sent from beyond Mars, she might believe that our essential uniting tenet, faith in humanity, still exists. We are, indeed, the Same, and when this is recognized, a bit of that space between us all shrinks.

We Are the Same isn’t only levity and light, though. The band exposes our black eyes and our crushes, the struggle of the worker in places as far flung as New Orleans and Athabaska or as close as a Lake Ontario shore is to the shore of Chicago. A trio of “Depression Suites” examines people trapped in menial jobs. Part of the magic, however, is that The Tragically Hip has never lost its working man’s roots; from their start in the tiny clubs of Kingston and Toronto and Halifax and Vancouver to the world stage, Gordon, Paul, Rob, Gord, and Johnny continue to sweat hard, and the triumphant and often chilling trilogy is an ode to those who keep the rest of us content.

Several of the tracks address a desire for escape, possible or not, and most take a look at our sense of self worth, both as individuals and as a larger community. We’re asked, point blank: Don’t our First Peoples deserve reconciliation? The Hip is neither apologetic nor afraid to question the state of our natural environment, and our internal environments don’t escape unexamined either. The inability to undo time and the idea of reflection also appear again and again: how we reflect one another, how the moon bounces back the light of the sun onto our communal view and our communal problems, how mirrors give us more than just ourselves.

There’s melancholy and anger here, driving guitar, and absolutely unforgettable melody. The Hip, with songs like “Morning Moon” and “The Last Recluse,” could even have somebody like Stephen Harper humming along in the back of the limo. The powerhouse legend Bob Rock, once more on the dials, tunes the words and music of one of our country’s great enigmas and talents into something completely new and yet immediately recognizable. This band, a dozen albums and 26 years in the making, shows us once again not only why they are but who they are, snowshoeing through new land while sowing seeds for all of us secret musicians and poets and citizens hungry for a chance. And a change.

They’re comfortable in their own skin, but the men of The Tragically Hip are still hungry to explore. With the same heart of the boys who penned and played “38 Years Old,” the band shows us 20 years later that wisdom indeed comes with age, and that Heart doesn’t change. Finally, the album’s cumulative effect is one of genuine comfort—or maybe much needed consolation. This iconic band, at the peak of its powers, rests a warm hand on its listeners’ shoulders. Downie speaks to each of us, individually, and the effect is uncanny. This song is for me. This song speaks to what I’m going through. I’m actually not alone.

Under the pillow
I can hear you whisperin’ are you going through something?


Well honey are you going through something?
Are you going through something?
Then I – I – I – I I am too
Then I – I – I – I I am too


It’s all in here, grinding stadium anthems and love songs you want to sing to your newborn baby. The Hip isn’t afraid to show a soft side, and we’re all the better for it. This release is a cry for understanding, a whisper and scream to our world, our country, or communities, and our families. From the gorgeous and crafted first track to the bold and elegiac last, The Tragically Hip’s latest gem is something prophetic, nurturing, and essential. Every listen brings further understanding—nothing new for a band with decades of depth—but The Tragically Hip couldn’t have predicted a race’s dream fulfilled, a choking environment’s gasp at fresh air, a world’s reconsideration of a continent, without a full measure of faith and hope. It’s for these reasons this album is bread, water, love.

—Joseph and Amanda Boyden, New Orleans, 2009

Working-Class Poets

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'Working-Class Poets' (Rolling Stone) The Tragically Hip Craft An Ode To Everyman On New Album

New York, NY. (Top40 Charts/ Shore Fire Media) - The Tragically Hip have crafted a guitar-drenched ode to everyman on 'We are the Same', their new album out April 7 on Rounder Records.

Featuring relaxed tempos and a mix of electric and acoustic arrangements, 'We are the Same' reconciles melancholy, anger, and optimism amid driving guitars and unforgettable melodies, epitomizing what Rolling Stone called The Hip's 'boundless ambition in making honest rock & roll.'

The easygoing, country-inflected opening track, 'Morning Moon,' follows a man's search for 'one little thing to make you feel better' in the course of the day.
The infectious 'Coffee Girl' reminisces over a 'beautiful and disaffected' diner waitress, while the driving, mandolin-tinged 'Queen of the Furrows' professes love for a quiet but industrious farmhand.

Listen to 'Morning Moon' here: http://www.myspace.com/thetragicallyhip

As with their critically-acclaimed 2007 album 'World Container,' 'We Are The Same' was produced by Bob Rock (Metallica, Aerosmith, Motley Crue), who orchestrated the dense sonic textures that surround these tales of love, aspiration, and struggle. Hip frontman Gordon Downie told the Calgary Herald that 'I've met a lot of mystics and oracles of the production world, but I've never met anyone like Bob Rock.'
'We Are The Same' is the twelfth studio album from the Kingston, Ontario quintet, and plans are in the works for a spring/summer U.S. tour.

Tragically Hip in the News

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Hipsters,

I found this on nbcphiladelphia.com...

Hidden Tracks: The Tragically Hip are Just That

By RICH NOTARO

Pitchers and catchers report -- one of the best phrases a person can read. This is my favorite time of the year. Spring training has finally arrived. The unmistakable sound of the bat-hitting ball is bliss. Can summer be far behind?

And this year is better then most. The Phillies are reining World Champs. The winter didn’t seem as harsh as it usually does. It’s not something we Phils fans had many chances of saying. Thankfully, I was alive for their first crown.

As much as I love music, baseball is my first love. Just getting the glove out and having a catch is my idea of fun. Hell, just thinking about tossing the ball gets my heart going a little bit faster.

Just as there is nothing like the anticipation of a new baseball season, a close second is awaiting the arrival of a favorite band’s latest album. When I hear that Bruce Springsteen or Better Than Ezra have new music coming out I eagerly await its release.

When Springsteen’s “Darkness on the Edge of Town” came out, I was standing in the record store, waiting for UPS to deliver the shipment. I had to buy 3 copies -- my buddies had to work, so it was my duty to get the first ones.

So when I heard that this week’s band is coming out with a new disc in April, I felt compelled to write about their previous one. The Tragically Hip should be better known then they are. And if you doubt me go out and grab “World Container.”

From “Yer Not the Ocean”, the opening track to “Last Night I Dreamed You Didn’t Love Me” this Canadian quintet hits all the right notes. They find unique ways of expressing eternal ideas.

They bring a northern sense to their music. And it’s perfectly expressed in “The Lonely End of the Rink”: a song about that’s about misfit love. Or hockey…I haven’t really decided which yet.

"The Kids Don’t Get It” is what rock is supposed to be; heavy guitars, and lyrics that you have to think about more than once to get the message. “In View,” “Fly” and the title track are unlike most music you have heard.

So while we wait for the Hip’s next album, here’s the link to their website so you can get a sense of who they are. Click around and get a feel for their sound. You’ll get to hear a lot of their music and I know you’ll quickly agree that the kids might not get it, but you will.


Link to original article here.

Things are just starting to heat up in the Tragically Hip circle. This summer should be fun for all of the band's fans.
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